To Feel As A Rock
Abstract
This thesis dossier and the accompanying exhibition Brought to our knees to feel as a Rock explore how geological processes and deep timescales challenge anthropocentric perspectives while opening new pathways for artmaking. Unfolding through an inquiry into foraging as an artistic method, the ethics of extraction, and engagement with sustainable art practices, this research aims to understand how intimate knowledge and relationship with Land can be cultivated. Drawing on theories of consciousness, including panpsychism, animism, and vital materialism, the thesis frames artistic gesture as a site of transformation, inclusive of nonhuman mark-making. These concepts are enacted through research-creation, documented within, and artworks that re-enact deep time using paper pulp and rock-derived pigments. Finally, a focused case study of Dove Bradshaw’s practice illustrates how her work centres entropy as a model for material collaboration over time.